Franco Campo and Carlo Graffi first crossed paths during their university years at the Politecnico di Torino, where they studied engineering and architecture under the guidance of Carlo Mollino. After graduating in 1950, they continued collaborating with Professor Mollino on projects spanning both architecture and design.
In their early works, Campo and Graffi clearly reflected Mollino’s influence—marked by graceful curves and the use of organic materials. Throughout the 1950s, they focused on custom interiors and furniture design, working alongside interior decorators, retailers, and private clients. Over time, their aesthetic evolved, drawing inspiration from the city of Turin. This shift led to designs that emphasized more rigid, sculptural forms and celebrated structural elements and exposed joints.
In 1956, Campo and Graffi founded their pioneering furniture workshop, Home, with the goal of making high-quality design accessible to a broader audience. They crafted pieces primarily in teak and also imported designs from Scandinavia. Home experienced significant success, expanding to Genoa and Rome.
However, in 1964, a tragic fire destroyed the factory, effectively ending both Home and the partnership between Campo and Graffi. After the separation, Carlo Graffi resumed his collaboration with Carlo Mollino, while Franco Campo continued his work in furniture and interior design.
Despite the brevity of their partnership, Campo and Graffi’s commitment to democratic, accessible design left a lasting legacy in the world of mid-century modern furniture.
